Curriculum Vitae
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DETAILS
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Department of Music
Bath Spa University College
Newton Park
Newton St Loe
Bath, BA2 9BN
Tel: [+44] (0) 1225 875640
Fax: [+44] (0) 1225 875444
Email: j.hyde@bathspa.ac.uk
URL: http://www.bathspa.ac.uk
URL: http://www.theperiphery.com
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D.O.B.
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15/04/69
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| EDUCATION |
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1991
- 1996
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University
of Birmingham -
PhD in Musical Composition
Topic: An exploration of the application of technology to musical composition, with and without acoustic instruments, in isolation and in combination with other art-forms (such as theatre, dance and video). Tutors: Jonty Harrison and Vic Hoyland.
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1990
- 1991
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London
College of Music / London International Film School -
Diploma in Composition for Film and Television
Principal Tutor: Francis Shaw.
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1987
- 1990
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University
of Nottingham -
B.A. (Hons) in Music, First Class
First year subsidiary subject: Philosophy.
Final year specialisms: Composition, Seminar: Tonality and its Alternatives in the Twentieth Century, Analysis, Criticism.
Composition tutors: Jim Fulkerson with (visiting tutors) Nigel Osborne and Trevor Wishart.
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1980
- 1987
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All Hallows
C.H.S., Macclesfield
‘A'
levels: Physics, Mathematics, Music, General Studies.
‘O' levels:
English Language, English Literature, Mathematics, Physics,
Chemistry, French, History, Geography, Music, Religious Education.
Associated Board exams: Trombone Grade 8 (Distinction), Piano
Grade 7 (Merit).
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| EXPERIENCE |
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Teaching:
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| 2001
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Bath Spa
University College, Course Leader and Senior Lecturer in Creative
Music Technology
I am responsible for course management, development and implementation. I also teach a variety of modules, primarily in areas of composition, sonic art and new media.
The course at Bath is highly succesful, with high rates of application and retention. It combines experimental and commercial elements, and has strong industry links. My most recent responsibility has been the establishment of a new MA programme to start 2003/4.
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1996
- 2001
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Dartington
College of Arts, Lecturer in Performance Technology.
I was responsible for the coordination of all teaching involving technology in the college,and oversaw the provision of resources such as the Performance Technology Centre.My teaching was primarily in music,but I also worked in other disciplines,such as Visual Performance and Performance Writing. I was strongly involved in postgraduate teaching.
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1996
- 1997
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University
of Exeter, Visiting Lecturer (Composition).
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1995
- 1996
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Dartington
College of Arts, Part-time (0.5) Lecturer.
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1993
- 1996
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University
of Birmingham, Assistant Lecturer in Music.
Courses included composition, orchestration, twentieth-century musicology.
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1993
- 1996
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University
of Birmingham, Visiting Lecturer, School of Continuing Studies.
I taught various musicological courses, and was involved in the setting up of a Music Summer School and a CertHE in Music Technology.
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1993
- 1996
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BEAST (Birmingham
Electro-Acoustic Sound Theatre), Animateur, Public Workshops.
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Research:
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My research
is primarily practice-based, across a broad music/performing arts/live
arts axis. It centres around a deep exploration of the possibilities
offered by digital and electronic media to make sonic and multimedia
works, installations and performances. Particular areas of exploration
in my work are the complex interaction of abstract sound and image,
and the integration of interactive technology into live performance.
My background in music makes itself felt through an overriding
concern with sound and structures in time.
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Awards:
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New Media Fund Award, Arts Council of England (2002-)
R&D Grant (Film and Video), Arts Council of England (1999-2000)
R&D Grant (Combined Arts), Arts Council of England (1997-8)
R&D Grant (Music), Arts Council of England (1996-7)
Electro-Acoustic Bursary, Ralph Vaughan-Williams Trust (1995)
Major Award, British Academy (1991-4)
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Prizes:
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Second Prize (video), Transmediale, Berlin (1999)
First Prize (multimedia), COMTECart, Dresden (1998)
Two mentions from Prix Ars Electronica (1997, 1998)
Two from the Luigi Russolo Foundation, Italy (1994, 1995)
Three at the Grands Prix Internationaux at Bourges, France (1993, 1995)
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Residencies:
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Institute for Studies in the Arts, Arizona (1 month, 2000)
Podewil arts centre, Berlin (1 month, 1999)
The Electroacoustic Music Studio of Sweden (6 months, 1995)
The Groupe de Musique Experimentale de Bourges (1 month, 1995)
The Zurich Konservatorium (6 weeks, 1995)
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Commissions:
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Future Physical/East
England Arts (2002/3)
Jerwood Space (2002/3)
Imlata Dance Company (2002)
Andre Gingras Dance Company (2002)
Shobana Jeyasingh Dance Company (2001)
BBC National Orchestra of Wales (2001)
DA2/Watershed Media Centre (2000)
Performance Research journal (1999)
Shawford Mill Theatre (1999)
BEAST/West Midlands Arts (1998)
SPNM/ISCM (1998)
The Swiss Centre for Computer Music (1995)
The GMEB (1995)
The BBC (two commissions in 1995)
The International Symposium on Electronic Art and Silicon Graphics
Ltd. (1994)
Sonic Arts Network (1993)
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Performances:
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include those at the International Computer Music Festival (1993, 1995, 1996, 1997, 1999), the International Symposium on Electronic Art (1994, 1996), the Gaudeamus festival (1993), the Stockholm Electronic Music Festival (1995, 1996), the Sythese festival in Bourges (1993, 1994, 1995, 1996), the IRCAM Summer Academy (1997), and the International World Music Days in Manchester (1998). Video works have been shown at Pandaemonium (London, 1998); the Montréal Festival of Film and New Media (1998); COMTECart, Dresden (1998); Transmediale, Berlin (1999); Champ Libre, Montreal (1999), the Virginia Film Festival (1999); and the New York Film Festival (2000).
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Broadcasts:
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have been made on many networks throughout Europe and beyond.
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Recordings:
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include releases on NMC (UK), Chant du Monde (France) , Jasrac (Japan), Illegal Arts (US), Sargasso (UK, upcoming), and ASC (UK, upcoming).
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For more detailed information, see my list of works
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PERFORMANCE
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I have considerable
experience of performance with live electronics/custom interfaces
and interactive multimedia software (principally Max/MSP/nato).
Recently I have been performing with electronica collective Socket
and with jazz musicians such as Paul Dunmall and Keith Tippett,
and also solo as a performer/DJ/VJ. I am also experienced in sound
diffusion and the performance of electroacoustic works. I worked
for many years with BEAST (Birmingham ElectroAcoustic Sound Theatre),
assisting in performances with Karlheinz Stockhausen (Sternklang),
Odaline de la Martinez, James Dillon, Mark-Anthony Turnage and
Oliver Knussen. I have also set up complex multimedia installations,
such as the Birmingham Sound Observatory (with Graeme Miller)
and WEB (for BBC Live95), and have assisted ensembles such as
the Birmingham Contemporary Ensemble and Lontano.
I have a wide variety of conducting experience; having conducted
orchestras, new music ensembles, opera and music theatre at Nottingham
University, the London College of Music and Birmingham University.
I also have a considerable amount of performance experience on
trombone and piano.
I have been involved in the promotion and organisation of many
concerts and other events. I helped set up the BEAST rumours...
series in Birmingham, and as Project Director of Sonic Arts Network,
the national umbrella organisation for sonic art in the UK, arranged
a major national tour in 1998.
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Technology
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I have a wide
experience of music technology having used, through my work in
a variety of sound studios, most of the tools that are standard
currency in this field. This includes everything from analogue
tape-recorders to sophisticated real-time and non-real-time DSP.
I am also proficient in the use of professional video cameras,
mixers and editing equipment, having made extensive use of BetacamSP,
Hi-8, S-VHS and DV systems, as well as non-linear digital systems.
I am conversant with UNIX, Apple Macintosh and PC-compatible computer
systems. I have experience of a broad range of multimedia software,
including AVID Media Composer, Softimage, Premiere, After Effects,
Image/ine, BigEye, Photoshop, Director, Dreamweaver, Flash, ProTools,
Max/MSP, LiSa and Sibelius. I also have some practical knowledge
of electronics, and have helped build several professional studios.
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